Pemrograman Web dengan PHP dan MySQL

Daftar Isi
I. Pengenalan Web Server dan Server Side Scripting
1. Web Server
2. Server Side Scripting
3. Test Instalasi XAMPP di Browser
II. Struktur Dasar PHP
1. Sebelum Belajar PHP
2. Mari Mengenal PHP
3. Say Hello to PHP
4. Variabel
5. Tipe Data
6. Konstanta
7. Operator dalam PHP
8. Komentar Program
III. Struktur Kondisi dan Perulangan
1. Struktur Kondisi
2. Struktur Perulangan
3. Struktur Break dan Continue
IV. Penanganan Form
1. Berbagai Cara Penanganan Form
2. Form Input Type TEXT dan PASSWORD
3. Form Input Type RADIO
4. Form Input Type CHECK BOX
5. Form Input Type COMBO BOX
6. Form Input Type TEXTAREA
V. Array dan Fungsi
1. Pengantar Array
2. Fungsi-fungsi Array dalam PHP
3. Fungsi dalam PHP
VI. Penanganan String dan Tanggal
1. Pengantar String
2. Fungsi-fungsi String dalam PHP
3. Fungsi-fungsi Operasi Tanggal dalam PHP
VII. File dan Direktori
1. Penanganan File
2. Membuat dan Menghapus Direktori
3. Manipulasi File
4. Upload File
VIII. Session dan Cookies
1. Session
2. Cookies
IX. Pemrograman Berorientasi Objek dalam PHP
1. Pengantar Pemrograman Berorientasi Objek
2. Object dan Class
3. Properties dan Method
4. Mendefinisikan Class
5. Memanfaatkan Class yang Tersedia
X. Pengenalan DBMS dan MySQL
1. Tentang Database, DBMS dan RDBMS
2. Tentang MySQL
3. Instalasi MySQL di Windows
4. Koneksi ke Server MySQL dengan MySQL Client
5. Berbagai MySQL Client untuk Administrasi Server MySQL
XI. Pengenalan Structured Query Language
1. Apa Itu SQL ?
2. Membuat, Mengubah dan Menghapus Table
3. Menambah Record dengan INSERT
4. Mengedit Record dengan UPDATE
5. Menghapus Record dengan DELETE
XII. Aplikasi Berita dengan PHP dan MySQL
1. Merancang Struktur Database
2. Membuat File Koneksi Database
3. Membuat Halaman Input Berita
4. Menampilkan Berita Terbaru di Halaman Depan
5. Membuat Halaman Arsip Berita
6. Membuat Halaman Edit Berita
7. Membuat Halaman Delete Berita
8. CSS sebagai Pemanis Tampilan

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The Beginner.s Guide to Adobe Lightroom and Photoshop

How To Copyright Your Photos in Photoshop and Lightroom. and Why it.s Important to Know How
By professional photographer Rich Wagner

The world of digital photography has dramatically changed the way photographers submit their
work for publication. Gone are the days of sending slides and hand writing little stickers to fit on
the slide mounts.
Now we can upload our photos over the internet or put them on CDs. But what about all that
copyright information that used to fit on the slide label? How do we protect our photos now?
The good news is that you can attach your photo copyright information to the digital file in a process called "embedding." When you take these simple steps to embed and copyright your photos with your information, it always remains with the photograph file.
And it’s just as important from a business standpoint, because you can add your contact information at the same time. Now the publisher can find your phone number, or a link to your website, to view more of your work.
Just follow these simple steps in Adobe Photoshop or Lightroom to protect your photos and embed them with your information...

Table of Contents:
The Difference between Adobe Photoshop and Adobe Lightroom
How to Copyright Your Photos in Photoshop and Lightroom... and Why It.s Important to Know How
Sorting Your Photos in Lightroom
Using Layers in Photoshop to Spot Color Black-and-White Photos
Adjusting Levels and Curves in Photoshop
Correcting Over-Exposed Photos in Photoshop
Adjusting Color Casts and Tones in Photoshop
How to Remove Logos from your Photos and Sell them as Stock
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ADOBE PHOTOSHOP LIGHTROOM USER GUIDE
Contents
Chapter 1: Getting started
Installation
Adobe Help
Resources
What’s new
Chapter 2: Workspace and setup
The Lightroom workspace
Working with the Filmstrip
Viewing photos in Loupe view
Setting preferences and personalizing
Color management .
Chapter 3: Importing photos
Getting photos into your library
Importing automatically
Chapter 4: Organizing photos in the catalog
Library module overview
Browsing the catalog
Managing photos
Working with collections
Grouping photos into stacks
Filtering and rating photos
Viewing and editing metadata
Working with keywords
Finding photos in the catalog
Chapter 5: Developing photos
Develop module overview
Adjusting image color and tone
Working in grayscale
Retouching and correcting flaws
Apply Develop adjustments to other photos
Managing image history and snapshots
Quick Develop
Chapter 6: Exporting photos
Exporting photos
Editing in other applications
Chapter 7: Creating and viewing slideshows
Creating slideshows
Specifying the slide layout
Adding overlays to slides
Playing and exporting slideshows
Chapter 8: Printing photos
Printing photos and contact sheets
Laying out photos on a page
Printing overlay text and graphics
Setting resolution and color management
Printing multiple photos
Chapter 9: Web galleries
Creating web photo galleries
Specifying web gallery layouts
Adding text to web galleries
Previewing, exporting, and uploading a web photo gallery
Index 
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Digital SLR photography hints and tips for beginners and amateurs.

Listed below are a few useful tips for those photographers progressing from a point and click camera to a digital SLR (also known as DSLR) camera.

1. Don't throw your camera manual away. It will become your new best friend. Read it as often as possible, especially in the first couple of months after purchasing your DSLR camera. Always store it somewhere handy. For example in your camera bag.

2. Buy a UV filter for each lens you own. It's easier to replace a scratched lens filter than it is to replace your actual lens.

3. Learn to use all your SLR camera settings. Even those you don't think you'd ever use.
Practise changing settings like ISO, aperture and shutter speed, so you know them like the back of your hand. A moving animal won't sit and pose until you work out your settings.

4. In addition to UV filters, other important pieces of equipment should include a sturdy tripod and a remote release. They both come in handy for taking photographs that require long shutter speeds. For example night photography or slow motion water.

5. You can never have enough SLR / DSLR photography magazines and books to learn from. The best ones will explain what camera settings were used, along with each photograph displayed.

6. Don't touch or blow on the mirror inside your camera body when you have the
lens off. If you damage the sensor, you may as well buy another camera body, because
that's how much it will cost to fix. If you notice spots appearing in your photos, buy a cleaning kit or dust blower from your local camera store. Many now have an inhouse cleaning service which is always a good alternative.

7. Don't change your lens outside if it's windy. Put the main lens on your camera before you leave the house. If you need to change the lens outside, face the camera body downwards. Dust can't fall upward onto the camera's sensor.

8. If at first you find your getting a lot of blurred photo's, change to a fast shutter speed. The faster the photograph is taken, the less chance there is of it being effected by camera shake. Holding the camera closer to your body or resting it on a nearby.
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Digital Photography Solutions

Table Of Contents
Part I: Starting with a Few Good Digital Images . . . . . . . . . . . . .1
1—Introducing Digital Cameras . . . . . . . . . . . . . . . . . . . . . .3
Correcting misconceptions about the digital cameral. . . . . . . . . . . 4
Digital pictures are better than you think . . . . . . . . . . . . . . . 5
The digital camera is not like a film camera . . . . . . . . . . . . . . 8
You won’t use a digital camera like a film camera . . . . . . . . . . . 10
It might (or might not) be cheaper to shoot digital . . . . . . . . . . 10
You can’t shoot” everything” with a digital camera . . . . . . . . . . . 12
If a digital camera meets your needs now,
don’t wait for new technology . . . . . . . . . . . . . . . . . . . . . 13
Things to consider when purchasing a digital camera . . . . . . . . . . 17
Do you need a PC to use a digital camera?. . . . . . . . . . . . . . . . 24
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2—Learning to Take Better Pictures . . . . . . . . . . . . . . . . . . 27
Why are you taking pictures?. . . . . . . . . . . . . . . . . . . . . .28
Deciding what to shoot . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Choosing how you will present and share you images . . . . . . . . . . . 29
Picture-taking is easy, but getting outstanding pictures takes work . . . 30
Seeing the “light” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Ten traditional picture-taking approaches that always work . . . . . . . . . . 31
Shoot with the best possible light . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Rule of thirds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Vary your camera angles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Include an appropriate foreground or background . . . . . . . . . . . . . . 34
Silhouette a backlit subject . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Bright subject on black background . . . . . . . . . . . . . . . . . . . . . . . . . 36
Create frames around your subjects. . . . . . . . . . . . . . . . . . . . . . . . . . 36
Crop or shoot for “partial images”. . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Use partial focus to increase the emphasis on part of your image. . . 38
Look for strong geometry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
A “starter set” of 15 digital imaging techniques. . . . . . . . . . . . . . . . . . . . 40
Shoot interesting objects for their own sake . . . . . . . . . . . . . . . . . . . 41
Shoot poses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Shoot backgrounds just as a background. . . . . . . . . . . . . . . . . . . . . . 43
Shoot to create fantasy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Shoot just for color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Shoot sequence of images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Shoot panoramas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Shoot images for a photomontage . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Shoot for specific effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Shoot personality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Shoot to create Web page images. . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Shoot knowing that you can fix it . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Shoot for varying photo proportions . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shoot for intrigue, conflict, mystery, action, or ... . . . . . . . . . . . . . . . 52
Shoot for a dramatic effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Ways to improve your picture-taking skills . . . . . . . . . . . . . . . . . . . . . . . 53
Know thyself and thy equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Know your digital camera settings . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Visit art galleries and digital photography Web sites. . . . . . . . . . . . . 55
Shoot over and over until you get it right . . . . . . . . . . . . . . . . . . . . . 55
Create for, and share with, others . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
3—Turning Photographs into Digital Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
The basics of digital image files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Pixels and resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Dots per inch (dpi) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Image color depth or number of color bits . . . . . . . . . . . . . . . . . . . . 61
Image size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Image compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Using a scanner to acquire digital images . . . . . . . . . . . . . . . . . . . . . . . . 65
Should you buy a scanner? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Six easy steps for buying the right scanner for you needs. . . . . . . . . 66
Using Kodak digitization services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Kodak Picture Center Online Services . . . . . . . . . . . . . . . . . . . . . . . 71
Kodak Picture Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Kodak Picture CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Kodak Photo CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Kodak Pro Photo CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Getting digital images from a local photo lab. . . . . . . . . . . . . . . . . . . . . . 75
Using a photo kiosk to get digital images. . . . . . . . . . . . . . . . . . . . . . . . . 76
Using mail-order photofinishers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Getting scans from custom photo labs . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
4—Managing and Storing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79
How much storage will you need? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
What do you want to be able to do? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Tips for storing and managing image files . . . . . . . . . . . . . . . . . . . . . . . . 84
Create an organized folder/directory system . . . . . . . . . . . . . . . . . . . 84
Make and follow a plan for digital camera images . . . . . . . . . . . . . . 85
Copy images to removable storage media . . . . . . . . . . . . . . . . . . . . . 85
Save original digital camera images . . . . . . . . . . . . . . . . . . . . . . . . . 85
Consider implementing a backup plan . . . . . . . . . . . . . . . . . . . . . . . 86
Create extra copies of some images on an organized basis . . . . . . . . 89
Image management with Windows. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using Windows Explorer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Using image-management utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Midnight Blue Software’s SuperJPG . . . . . . . . . . . . . . . . . . . . . . . . . 92
Paint Shop Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Using consumer-level image editors and project applications . . . . . . . . . 93
Roxio’s PhotoSuite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Adobe Photoshop Elements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Using advanced image-management applications . . . . . . . . . . . . . . . . . . 97
Advanced image-management applications to consider . . . . . . . . . . 97
Cerious Software Inc.’s ThumbsPlus . . . . . . . . . . . . . . . . . . . . . . . . . 98
Extensis Portfolio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Adobe Photoshop Album . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Ulead’s PhotoImpact Album . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101
Other useful things that you can do . . . . . . . . . . . . . . . . . . . . . . . . 102
Saving images to removable media . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Choosing removable storage media . . . . . . . . . . . . . . . . . . . . . . . . . 103
Writing image files to CDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Tips for storing images on CDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Using photofinishing services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Part II: Transforming Ordinary Images
into Extraordinary Ones . . . . . . . . . . . . . . . . . . . . . . . . .107
5—Getting Images into Shape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .109
Correcting imperfect images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Fixing an image taken with a digital camera . . . . . . . . . . . . . . . . . . 113
Fixing a scanned image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Fixing a damaged photograph . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
Selecting the proper file characteristics . . . . . . . . . . . . . . . . . . . . . . . . . 121
Using software to automate image correction. . . . . . . . . . . . . . . . . . . . . 122
Batch processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
6—Performing Digital Imaging Magic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .129
Choosing a digital image editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Professional-level digital image editors . . . . . . . . . . . . . . . . . . . . . . 131
Advanced consumer or business-use digital editors . . . . . . . . . . . . 132
Consumer-level digital imaging applications. . . . . . . . . . . . . . . . . . 132
Professional-level plug-ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
A digital imaging techniques sampler . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Selecting parts of an image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Adding objects to an image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Transforming parts of images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Changing colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Layering objects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Painting with an image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
Removing objects from an image . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Using masks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Creating magical images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146
Putting up the rainbow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
The mushroom garden adventure . . . . . . . . . . . . . . . . . . . . . . . . . . 148
Adjusting light in the North Sea . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
7—Filtering for Special Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .153
What can you do with filters? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
A “before” and “after” image sampler . . . . . . . . . . . . . . . . . . . . . . . 154
Learning more about what filters can do . . . . . . . . . . . . . . . . . . . . . 157
Using applications with filter effects . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Adobe Photoshop and Photoshop Elements filters . . . . . . . . . . . . . 167
Broderbund’s The Print Shop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Corel Corporation’s Photo-Paint . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
procreate’s Painter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Ulead Systems’ PhotoImpact . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Using plug-in filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Alien Skin Software’s Eye Candy . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Alien Skin Software’s Xenofex . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Alien Skin Software’s Splat. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Andromeda Software Inc.’s Series 3: Screens Filters. . . . . . . . . . . . 174
Xaos Tools’ Terrazzo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Auto F/X DreamSuite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Part III: Useful and Cool Ways to Use Your Images . . . . . . . . .177
8—Displaying Digital Images Electronically . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .179
Using a photo album to store and view images . . . . . . . . . . . . . . . . . . . 180
Using an album with database capabilities . . . . . . . . . . . . . . . . . . . 181
Create a book-like picture album. . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Creating a multimedia slide show . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Displaying images with a screensaver . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Creating a screensaver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Guidelines for choosing the best application for your needs . . . . . . . . . 194
Sharing your images with others . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Output options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
File and program size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Getting images from many sources . . . . . . . . . . . . . . . . . . . . . . . . . 195
Sorting, searching, and ordering images . . . . . . . . . . . . . . . . . . . . . 195
Adding nonphoto “things” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Applications to consider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
9—Other Useful and Fun Things You Can Do with Images . . . . . . . . . . . . . . . . . . . . . .199
Image projects for business . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Business cards and letterhead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Project quote sheet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
Product catalog pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Postcards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Certificates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Image projects for home . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Personal letters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Creating a photomontage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Greeting cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Wine bottle labels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217
Image projects for kids . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Birthday party invitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Flyers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 218
Creating fun pictures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Images for coaches. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221
Sports cards and posters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Image creations just for art’s sake . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Artwork to be framed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
Images to accompany short stories . . . . . . . . . . . . . . . . . . . . . . . . . 224
Stitching images together to create a panorama . . . . . . . . . . . . . . . . . . . 225
Other cool things to do with images. . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Part IV: Sharing & Enjoying Your Images . . . . . . . . . . . . . . . . .229
10—Sharing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .231
Sharing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
Accessibility is everything. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
It takes the right kind of viewer to view . . . . . . . . . . . . . . . . . . . . . 234
File size matters more than you think . . . . . . . . . . . . . . . . . . . . . . . 234
Using e-mail to send images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Sending images as an e-mail attachment. . . . . . . . . . . . . . . . . . . . . 236
Sending e-mail with a URL pointer. . . . . . . . . . . . . . . . . . . . . . . . . 237
Using HTML-based e-mail to send images . . . . . . . . . . . . . . . . . . . 238
Sharing images with electronic postcards and greeting cards . . . . . . . . 240
Sharing images with instant messenger and chat applications . . . . . . . 243
Sharing electronic documents that contain images . . . . . . . . . . . . . . . . 245
Working with Microsoft Office documents. . . . . . . . . . . . . . . . . . . . . . . 245
Using photo labs and online services to share digital images . . . . . . . . 246
Getting your own Web space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Getting free or low-cost Web space . . . . . . . . . . . . . . . . . . . . . . . . . 251
Using software that automatically creates image-based Web pages . . . . 251
Creating an online portfolio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Authoring your own Web pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
A few words about HTML . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Using Microsoft Office to create Web pages . . . . . . . . . . . . . . . . . . 258
Using WYSIWYG editors. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Uploading files to your Web site . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
11—Turning Digital Images into Prints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .263
Looking into the future. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
Ordering prints through the Internet . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Getting prints made at a local photo lab. . . . . . . . . . . . . . . . . . . . . . . . . 267
Using custom photo lab services or specialty printers . . . . . . . . . . . . . . 269
Using a desktop printer to make prints . . . . . . . . . . . . . . . . . . . . . . . . . 270
Type of printers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Printer features that might be important to you . . . . . . . . . . . . . . . 271
Printers for the PC-less environment. . . . . . . . . . . . . . . . . . . . . . . . 274
Choosing print media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Types of paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274
Specialty papers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
A few last words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .281

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Beginning C# Object-Oriented Programming

Part I: Getting Started
Chapter 1: Getting Started
Chapter 2: Understanding Objects

Part II: Understanding C# Syntax
Chapter 3: Understanding Data Types
Chapter 4: Understanding C# Statements
Chapter 5: Understanding Reference Data Types
Chapter 6: Making Decisions in Code
Chapter 7: Statement Repetition Using Loops
Chapter 8: Arrays

Part III: Writing Your Own Classes
Chapter 9: Designing Classes
Chapter 10: Designing and Writing Custom Classes
Chapter 11: Exception Handling and Debugging
Chapter 12: Generics

Part IV: Storing Data
Chapter 13: Using Disk Data Files
Chapter 14: Using Databases
Chapter 15: Inheritance and Polymorphism
Appendix A: Exercise Solutions
Index
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